The Fear of Imperfection

One of my students this spring was interested in writing for magazines, but felt held back by her fear of putting something out there that wasn’t perfect. She wanted my advice on how to overcome that.

Honestly, that’s a really hard thing to give advice on, because every writer is different.

I’m going to attempt it anyway!

#1: Realize no one’s work is perfect

DeathtoStock_Clementine9.jpgYou’re not the only one who makes mistakes. We all do. While I was on a panel at Denver Comic Con last year, we were all asked what was the biggest mistake we ever made in a book. Jim Butcher was on that panel as well (which was seriously the highlight of that entire weekend!) and he said when writing the early Dresden Files books, he didn’t have the income to visit Chicago, where the books are set, and wrote a scene with characters meeting in the parking lot of the baseball stadium. Problem was, that stadium was built before the majority of people had cars. Hence: it has no parking lot.

If you need more examples…check out THIS LIST of the best/worst plot holes in movies. You could literally spend all day watching or reading similar lists.

#2: Waiting on perfection = Missed opportunities

Perfection is unattainable. In life, and in writing. No matter how many times you read your article, book, or story, there will be something you want to change, tweak, fix, whatever. It will never be done. At some point, you simply have to be DONE. Do your best, and then put it forward. I know authors who refuse to ever read their own books again once they’re published. If they do, they’ll want to go back and change it.

#3: You’re your own Worst Critic

This can be a good thing when working through plot holes or character inconsistencies. When it comes to nitpicking your own writing, you will drive yourself crazy before you’re satisfied. Writers are often too close to their own work by the time they get to that final stage of editing. One word or comma likely won’t make the different between success and failure.

#4: Failing is OKAY

If you put out an article or book and it gets ZERO view or buys, is that the end? No, it’s a hurdle you just jumped over. Whether you breakout from day one or have to slog through mediocrity to achieve something better (like the majority of us) you’re on your way. That typo in your first paid blogpost, or character you forgot existed and was never heard from again, are a right of passage. We’ve all done it, and laugh about it later.

Never putting anything out there DOES mean you’ll never have to face rejection. It also means you’ll never get that message from a reader who loved what you wrote and wanted to thank you for sharing it with them. Those come a lot more often than the obnoxious ones pointing out that one typo.

New Adult: The Unsellable Genre?

While researching agents I want to query Life & Being out to, I’ve found that New Adult isn’t listed on many agents’ websites. Not as something they take or don’t take. It’s like it doesn’t exist. There are a handful I found it listed specifically, one way or the other, but most don’t mention it at all.

Life and Being PreAgentThat left me wondering, are they classifying NA as adult? Bumping it down to YA? Ignoring it completely?

So, when I have questions like this, I post them on Facebook to see what other writer friends know or have experienced. I was surprised by the responses.

Most every comment I got said agents and publishers consider NA unsellable and don’t want to bother with it. This was from writers who tried to query NA and a few agents or people who worked for literary agencies.

Honestly, I was a little stumped by this. Why? Because readers are certainly buying NA. Jamie McGuire’s Beautiful Disaster and Walking Disaster were both NA, and both HUGE successes. NYT Bestselling successes. Let’s also consider Jennifer L. Armentrout (Wait for You), Cora Carmack (Losing It), and Colleen Hoover (Slammed), all of which have been wonderfully successful writing NA.

So, if readers are buying, why aren’t agents and publishers?

I’m sure if NA is looked at as a fad that will pass sooner rather than later, or if the high number of successful self-published authors in the genre make agents and publishers want to pass on competing, or what the exact reason is. If anyone has thoughts, please feel free to share them in the comments! I’d love to hear them.

I’m still going to query a few agents I think would be a good fit and see what happens, but it’s looking more and more likely I’ll keep Life & Being indie, which is a great option as well. I guess I’ll just have to see what happens!

 

Reading as a Writer: Looking for the Good

Whatever you do for a living, if you’ve ever watched a show that portrays someone in your profession and they get it all wrong, or half wrong, or even just a tiny bit wrong, don’t you find yourself rolling your eyes or commenting to the person next to you on how it really works?

This is why my hubby and I couldn’t watch that TV show Numb3rs together. Or that lousy movie with Jenna Fischer as a dental hygienist.

beautiful burnSometimes, reading is like this for me. It’s not always easy to turn off the writer part of my brain and just read to enjoy. All my writing pet peeves poke at me while I read, and make the experience less fun. Then I have to remind myself that some other writer is reading my books having the same thoughts!

So, instead of critiquing as I read, I try to learn from it instead. I just finished reading “Beautiful Burn” by Jamie McGuire and loved all the work she put into researching how the Hotshot firefighting teams in Colorado live and work. Having lived near or in Colorado for most of my life, I appreciated the level of detail she put into her writing, and it pushed me to dig a little deeper into some of the research I’ve been working on for “Wicked Revenge.”

jm barrieI’ve also been reading JM Barrie’s “Peter Pan” (the original book) which, let me tell you, is far removed from the Disney version, or any other version I’ve ever seen. It’s bizarre and really not something a kid would understand or probably be interested by. I have a pretty good vocabulary and love British fiction, but I’m still looking up words and trying to figure out what Barrie is trying to get at half the time.

BUT, I love the honesty of his characters. Peter has this moment of intense jealousy as Wendy decides to go home to her mother and the Lost Boys say they’ll go with her because they want a mother too, and Peter mentions a saying in The Neverland that every time you breathe, a grownup dies, so he starts breathing really hard and fast. It’s dark, but completely honest for a young boy who’s losing his only family and is too proud to admit he wants them to stay. I want to be able to write that sort of frank honesty in my characters, even if I’ll leave the archaic words and style to Barrie.

So, whether you’re watching a TV show that’s totally misrepresenting what you do every day at work, or reading about cars driving 55 miles per hour down a windy, two-lane mountain pass in a blizzard (which, trust me, would NEVER happen), there’s almost definitely something else that’s going to be wonderfully inspiring. Don’t forget to look for it.

Open Doors and Plot Holes

Death_to_stock_Dinner_damo_8.jpgMaybe this only happens in my house, but unlike the picture above with nicely closed cabinet doors, I can walk into a room and, no kidding, there is almost always at least one drawer, cupboard door, or package of something or other left open. Usually, more than one. There have been times when I’ve walked into the kitchen and literally every cupboard door is standing open because someone was looking for something and, after finding it, walked away.

What does this have to do with plot holes?

Your readers are like one of my kids looking for the bag of chocolate chips they want to add to their spoon of peanut butter. They keep looking for the answers you’ve promised them, scouring every page, rereading when they think they might have missed something, or silently working out all possible endings when they’re forced to put down a book and pay attention to real life for a few hours.

Those times when all the cupboard doors are left open because they have to search that hard, it often results from one of two things:

1: They’ve opened every other door in the kitchen and are reaching for the last one, opening it slowly, only to find, the cupboard is bare and the answers you promised aren’t actually in the kitchen, or anywhere…and they walk away, annoyed and vowing to never read anything of yours again because, dang it, when you want a snack and can only find celery sticks that make your mouth itch, your definitely not going to take the time to clean up your mess.

OR

2: They reach for that last cupboard door, pull it open and – because you’ve done an impeccable job of filling in holes and stretching out your reveals – all those awesome answers come flooding out at the very end for your reader to gobble up as hungrily as my kids might those cookies I tried to hide from them, and abandon the kitchen in complete satisfaction…forgetting to close all the cupboard doors.

The point?

Little Blond GirlJust like when my kids (my daughter specifically) stomps away, annoyed I haven’t purchased sufficient snack-worthy foods, your readers will walk away when they finish a book unsatisfied because of questions you never answered if your book leaves them with option #1.

I’ve been teaching a self-editing class this semester, and one of the best tips for avoiding plot holes is to re-outline your novel or story as you do your first major edit.

Why?

Editing sucks, right? 90% of writers will agree with me on that, I’m pretty sure.

Outlines suck even more. Okay, maybe only other pansters will agree with me on that, but that’s got to be at least 50%, right?

You know what sucks more, though? Having a reader leave a nasty review…one that’s legit and calls you out on shortcuts you took or hints you failed to live up to.

During your first major outline, take the time to outline your book, taking note of all the hints you added in, the questions you posed, and the bits of backstory you teased your readers with.

Did you follow up on each and every one?

If not, you have two choices:

1: Nix it. If you never followed up because that particular tidbit simply didn’t pan out, remove it.

Questions2: Fill in where you neglected to follow through. Any questions you posed that pertain to that particular book (notice I’m not talking series-length questions) make sure you have an answer, or make it apparent that question will be answered in a subsequent book, if you’re working on a series.

Most readers have a Love/Hate relationship with valid cliffhangers.

ALL readers have a Hate/Hate relationship with lazy writing that leaves them questioning why they purchased a book.

Don’t let your readers down. Answer every question you ask, even the ones you might have forgotten about from those first few chapters when the concept of your story was still in flux. You’ll thank yourself later, and so will your readers. Nobody wants to end a book like Lost Season 6, trust me. Rants are still happening about that finale six years after the fact.

The Freebie Debate

Have you ever been perusing Amazon or B&N and saw a book that piqued your interest, but you weren’t sure whether or not to get it?

Large Stack of BooksHow does price affect your decision making?

If it’s free, do you think, “Awesome! I’ll give it a try. If I hate it, I’m out nothing and can move on to something else.”

OR…

Do you think, “I wonder why this book is free? Is it not very good? Can they not sell it? Does the author not think it’s very good either?”

Basically, do readers in today’s market see free ebooks as opportunities to explore new authors, or a statement about how the author/publisher values that particular book?

Whether or not to offer free books has been debated among indie authors for quite a few years. I recently read a blog post about a group of authors who have banded together to vow never to offer free ebooks because they believe it devalues their work and the effort it took to produce it.

Now, I have used free book promotions from the moment I figured out how to get Amazon to price match. Yes, it’s effectiveness has decreased over the last few years because there are so many free ebooks now, but to me, the benefits of having a free ebook available to readers hasn’t disappeared.

Price doesn’t determine the value of a book. I could price all my ebooks and $19.99. That doesn’t mean my ebooks are worth that amount, or that I value the work I put into creating them as more than a book I price at $1.99. Price does not equal value in this case. As an indie author, price is something you can manipulate and learn from. Try one price, watch sales. Try another, watch again. Eventually you find, either through trial and error and/or research, what a good price point is for your genre and book length.

For me, that includes free ebooks.

Why?

For one, I am a reader myself, and I’m timid about trying out new authors. I’ve picked up some pretty awful books over the years, and I’ve randomly chosen amazing ones, too! It’s a gamble every time. Taking away the barrier of price makes it that much easier to entice readers to give one of my books a try. If they enjoy it, I usually get 2-3 consecutive sales on that series, potentially more if they enjoy my writing and pick up another series.

All from one free book.

Did that one free book make readers think I didn’t value my own work? No. It introduced them to my writing.

Creating a Marketing PlanAnother reason I choose to offer free books is because many of my books are Young Adult titles. Teens don’t have a lot of purchasing power in many cases, especially in non-US markets. They can download free books at the click of a button, or read on Wattpad with no restrictions. Many teens need permission and a credit card number to purchase ebooks. That means convincing their parents the purchase is worth the money. That gets easier when they can say they’ve already read the first book and loved it.

Now, I know I’m on my soap box a little, but I think the debate over free books is a frustrating one when argued simply on the “rightness” or “wrongness” of the tactic. Every author has to figure out what works for them and their genre. I’m not telling anyone else how they should run their business or career. This is what works for me, at this time. I’ll change when and if I need to. I don’t need to join a group for or against a particular marketing tactic. I do my own research, including talking to other authors about what works for them, and make my decisions based on that research.

If other authors don’t want to offer free books because it goes against their views, that’s totally fine. Other people won’t agree, and that’s fine too. Just do your research and make a decision based on that and not simply on what someone else tells you is the right thing to do.

MIA…sorry about that!

I don’t think I’ve written a blog post that wasn’t a pre-prepared promo of some kind since the beginning of the year. It’s been a hectic start to 2016, and now that we’re beginning month 4, I finally found some time to sit down to blog.

What has been keeping us so busy lately?

iStock_000024086772LargeThere have been some health issues in our family, we’ve had a huge shift in our spiritual and religious beliefs-which has affected a lot, and I managed to seriously over schedule myself when it came to my writing and teaching schedule. Add in track and soccer, taxes, regular every day family, house, and work stuff, and a few panic attacks thrown in there, and yeah… I feel like we’ve been running since January and haven’t really had a chance to breathe until recently.

My hubby shouldn’t have to travel again until summer, we have less than a month left of sports events and practices, health issues are under control for the most part, major deadlines were met, we’ve got a plan for fixing up the backyard (yay!), and I’ve decided to go back to school to finish my bachelor’s degree-which will be tough, but will also help improve my work situation. Things are getting back on track.

2016-03-29 08.02.02I’m still writing, which is a huge stress reliever for me. Running keeps me grounded as well-not to mention keeps my back and shoulders from killing me. Writing-wise, I’m working on finishing Wicked Revenge. Personally, I’m looking forward to spending the summer camping and working in the yard with my family as soon as the always volatile spring weather of New Mexico figures its crap out and decides to warm up.

If you have tips on keeping the crazy under control, I’d love to hear them 🙂

The Myth That Is Writers Block

Yes, I called writers block a myth. Why? It doesn’t exist. Not in the sense of it being some magical, unstoppable force that keeps writers from being productive.

What IS going on then when a writer sits down to write and can’t seem to get a single word down on paper? It’s usually one of several things we all experience at one time or another.

FEAR

bb5f5-clock2balarm2bclockThis happens to me every time I start a new series or have to end a series. Doubts of “will it be good enough?” or “what if this fails miserably?” stall out my desire to write. I’ve gotten a little better about this over the years, but it’s still a tough thing for me.

How do I combat this? Deadlines. I don’t have time for self-doubt if I’ve already set up blog tours or paid for promotions on a certain date, or even just publicly announced the release date. Deadlines get me moving like nothing else.

BURN OUT

Beach SceneDoes the well of inspiration feel like it’s dried up? It probably has, but not in the form of writers block. Creative work isn’t easy. You need a break every once in a while. If you’ve been pushing and pushing, yeah it will definitely tax your mind until it simply refuses to produce anything of quality.

Best way to combat this one? TAKE A BREAK! Go read a book or watch a movie. Get out of the house and go for a walk. Get some fro-yo. Do anything BUT write for a while. A day. A week. A month. Whatever it takes to get your head space cleared out and ready to be creative again.

OVERLOADED

Most writers have more than writing to worry about. They’ve got bills, family, day jobs, health issues, etc. Stress is not conducive to creativity. It’s draining. I only work part time right now, but my husband also loves writing but has been super stressed out at work lately and he can attest to the fact that a lot of days he just doesn’t have the mental energy to write in the evenings. It happens.

While it’s impossible to completely clear away all your stress, taking some time for yourself can help. Yoga, meditation, horseback riding, whatever it is that relaxes you. Give yourself time to get away from everything. Maybe this just isn’t a time of your life where writing fits in. While we were selling our house and buying our new one, I didn’t write for six months. There wasn’t any time and my head just wasn’t in it. That’s okay.

OUT OF PRACTICE

Open Blue BookWriting is a skill, but so is creativity. You have to exercise that part of your mind by doing it regularly. There have been studies about how your brain can be trained to be creative at certain times based on routine.

What does that mean? Write often and if possible, write on a routine basis so your brain power is ready to be focused toward creating at a certain time. If that’s not feasible for your life, try a pre-writing routine to get yourself ready, like deep breathing exercises and stretches prior to a yoga class.

While I don’t believe in writers block, there are certainly factors of life that can make writing difficult. It IS possible to work around these problems and get back to creating.

Deadlines, Summer, and Catching Up

I like having a routine, a schedule. I don’t get things done without one.

Summer usually decreases my productivity significantly. Not just writing, but cleaning, weeding, organizing, etc. The kids are home, projects around the house and yard on going on, trips are taken, a million random things need done and distract you from your original tasks, and on and on.

79420-calendardeadlineI need deadlines.

Some people don’t work well under pressure. For me, it’s the only way I get anything done sometimes. Those deadlines might be more vague like, the kids get home by 3 o’clock. I need to finish this chapter by then and get the dishes in the dishwasher. Or they might be more concrete, like when my publisher wants edits back by a certain date.

The first half of this year we were selling and buying a house and moving. That pretty much takes up all your time. I didn’t get much writing done and release dates I had a vague imagining of drifted past unnoticed. Then summer hit. We’ve been out of town more then we’ve been in town it feels like. I had extra classes I was teaching and the kids had activities and my husband was super busy at work.

The writing I did was sandwiched in between other things and done late at night when my husband was out of town and I was too chicken to go to bed by myself. I worked on half-finished projects from last year that had been abandoned or never started, but I was scattered and distracted easily.

Blogfest Banner 28 DaysOne of the projects I wanted to get back to was The Ghost Host, but I was having a hard time focusing on it. When my good friend Apryl Baker put out the call for her annual YA/NA Blogfest this August/September (GOING ON NOW!!) my first thought was to feature something already finished. Less stress on me, right? Sure, but also a heck of a lot less projects getting wrapped up.

Even though I still had about 25% of The Ghost Host to write, not to mention revisions and editing, I signed up the Ghost Host as my featured story and told myself that whatever day Apryl gave me, that would be the pre-order release date. With as hectic as things have been lately, I knew I was taking a risk, but guess what? IT WORKED.

Echo The Ghost Host NEWAfter getting the date of Sept 2nd from Apryl, I got to work and finished the last quarter of the book in about two weeks. It’s off to beta readers now and it looks like I’ll make my pre-order date of Sept 2nd and release date of October 6th, 2015. Thanks to my awesomely talented photographer sister Kassondra Sturtevant (Mystereah Photogrpahy), I also have a new cover model and was able to finish the cover art. You can get a sneak peek of THE GHOST HOST on the YA/NA Blogfest Sept 2nd.

I’ve always known that I work better under deadlines, but I guess I’ve just been lazy about actually setting them and making myself stick to them. I have a lot to catch up on, so that’s going to change. In the hopes of being more productive, I’m going to push myself a little harder. Readers have been asking me when on earth I’m planning to release Wicked Revenge and even though I’m not going to make an October release because I already have two other books releasing that month (The Ghost Host and The Only Shark In The Sea), I am now determined to have Wicked Revenge out before Christmas.

The third Escaping Fate (Oracle Lost) has also been requested and I’m setting a firm time to have it ready by March 2016.

Somewhere in there the fourth Date Shark book (Shark In Troubled Waters) will also come out, but that one’s up to my publisher.

Torino Dreams Coming SoonSince Torino Dreams is a standalone and I only need to make a few small revisions to that one, I’m going to start prepping for an early February 2016 release.

Memory’s Edge needs a sequel and I want to release them close together, so my plan is to set a deadline of having the first draft of the sequel to beta readers by the beginning of March and to release these two in April and May 2016.

Clearly, I have a lot of work to do, but setting deadlines is going to force me to stop wasting time on Facebook and get some writing done. Wish me luck!

Things You Learn While Teaching Writing to Teens

For the last week I’ve been teaching a creative writing class for our local community college’s Kids Kollege program. This is the second writing class I’ve taught this summer and I’ve learned some interesting things.

ghosts hand Kids are dark!

Aside from George R. R. Martin, you’ll rarely find a group of writers so willing to kill off every single character. Whether this is a Diana Barry issue where she just didn’t know what to do with her characters after a while and simply killed them all off, or these kids are simply venting their frustrations with life…there’s lots of death, and revenge, and suffering!

Kids are silly 🙂

Right after killing off all, or the majority of, the characters, Mickey Mouse will make an appearance, or a gruesomely bloody scene will turn out to be Ketchup, or Miley Cyrus in drag has become the main character. You really have no warning of who might make a cameo with young writers and I think that’s awesome.

Kids find it tough to share.

The first class I taught, it was a race to share what they’d written for their daily writing prompts. In the class I just finished, it was like pulling teeth the first few days. Why the difference? The first class was smaller and the group immediately clicked and found a lot of camaraderie. It boosted their self-confidence to be in a class with like-minded kids who loved to be crazy (and loud). The second class was almost twice the size, so making those connections was more difficult. They were also a quieter group overall, so feeling comfortable sharing something so personal was tough for them. It took a lot of encouragement and positive reactions from their classmates and a few outgoing students who took the first leap and shared before some of the others felt confident that they were in a safe and positive environment.

Boy posing with arms crossed

Kids are observant, more than you might think.

We had a great discussion about what makes either a good or bad ending. My students may have still struggled here and there with writing endings to their stories, but they do know exactly why they DO or DON’T like the ending of books they’ve read. They hit on everything from pacing to excitement level, confusion vs. over-explaining, and whether or not the twists and conclusions make sense.

Kids are drawn to first person narrative.

Any time I talked to the students about point of view the majority said they preferred to read and write in first person. Why? Because you got to be in the character’s head more and experience their emotions better. If I asked them about why they like to write in general, most said it was to express themselves, their emotions and thoughts particularly. Notice a pattern? I happen to feel the same way, but it definitely showed why first person narrative has been on the rise.

Kids are eclectic readers.

When trying to find examples to discuss for characters, setting, or plot, it was tough to find a common book to use because their reading tastes are all over the map! In both classes there was a huge variety of books being read, everything from the Chronicles of Nick to the Mistborn Trilogy to The Mazerunner to Lemony Snicket. They love variety and they seem to love having the freedom to bounce between genres and themes. They’ll eat up anything with a solid and interesting story!

Even though I was the one teaching the class, it was so neat to learn from them!

Creating a Protagonist With Depth: Part Five

If you haven’t read the first three part in the series, you can find Part One HERE, Part Two HERE, Part Three HERE and Part Four HERE.


Now let’s discuss how to make your characters fail in a way that makes them better.


iStock_000024086772Large

Failure

Just like nobody enjoys a perfect character, no one likes a character that always makes the right choices and succeeds
If your character always succeeds, where’s the tension, the worry that they might fail? Without that, readers get bored.
A story needs fear that the character will fail/die/be beaten in order to keep readers flipping pages.
Even if they think they know where the story is going, they want to find out how they’ll get there


 How do you make them fail? Rope 2

Look back at their list of faults and flaws. Which of those can you use to put them in a situation where making the right choice will be difficult?
In “What We Saw At Night” Allie doesn’t tell the police what she saw because she’s afraid of getting in trouble for being somewhere she shouldn’t.
Why was she out at night? Because she has a severe sun allergy and has started taking risks because she thinks she won’t live very long.


hand over mouthHow do you avoid nonsense failure?

Does it make sense in real life?
If some guy told you he was sneaking into your room to watch you sleep at night, you’d freak out. Bella, though, was totally cool with it, which has garnered criticism.
Would two parents ever actually split up twin girls and never let them see each other for their own selfish reasons like they did in The Parent Trap? I highly doubt it.
When helping characters make decisions, make sure there’s a good reason for what they choose. Lean on that backstory you crafted.
Do their fears influence them?
Have past hurts caused them to mistrust others when they shouldn’t?


What character failures have left an impression with you?