Shrinks on Parade

Okay, I couldn’t resist the title, but it’s kind of true. All three male MCs in the Date Shark series books are psychiatrists. That’s how they all met, actually. These three became fast friends during their undergraduate classes, and then built their relationship to something pretty close to brothers during medical school and residency. They are there for each other no matter what, and in this series, they definitely need it.

So, let’s get to know them a little better…

 

business man with hands in his pockets on dark backgroundEli Walsh

The Date Shark concept was originally Eli’s baby. Okay, his obsession, really. It started out innocently enough with a few friends in college asking him for dating advice. That turned into a side business as a dating coach in between classes and exams, but it quickly became much more.

The smothering and harmful influence of Eli’s mother drives his desire to help the often unstable women who seek out his advice. Meeting Leila opens his eyes to the possibility of something more, but it means letting go of the Date Shark business.

While Guy isn’t a big player in this first book, Vance is the voice of reason behind Eli’s developing attraction to Leila. Not the Eli listens to him most of the time, but he’s there all the same.

 

man in leather jacket is looking away to his side and smilesGuy Saint Laurent

The last thing Guy wants to do is take over Eli’s business, but he’s not one to let down a friend who needs his help. A woman, though? Well, that’s another story entirely.

It isn’t commitment issues or a troubled past that keeps Guy’s relationships with women trivial. He bails as soon as things even hint at serious, not because he’s a jerk, but because he’d rather not lead a woman on when he has no intention of sticking around. He knows he’s hurt the women he dates, but until meeting Charlotte, he’s always rationalized away his behavior.

Charlotte needs his help, whether she’s ready to admit it or not, and even though his dating track record leaves something to be desired, Guy will never let a friend down. Vance and Eli are there to help and support their friend, but only Guy can decide whether Charlotte is worth the sacrifices staying with her will require.

 

Portrait of businessman on background of office buildingVance Sullivan

He’s been there for his friends when they’ve faced difficult decisions and emotional upheaval. That’s the role Vance is comfortable in. His work with patients who have experienced traumatic events role right into being the strongest leg of their mutual support system. When the tables are turned and suddenly Vance is the one in need of support, accepting it isn’t easy. In fact, it’s the last thing he wants to admit he needs. He’s the strong one, the one who’s life was supposed to be settled and perfect.

When everything comes crashing down around him, the only help he finds himself able to accept comes from the unlikely source of an ex-patient who’s barely holding things together herself. Natalie is desperate to rescue Vance from his grief, but letting her see his scars without causing her more pain than she’s already experienced won’t be an easy task.

 

All three of my Date Shark guys have their own style of running the business, dealing with life’s problems, and finding out where their strengths truly lie, but all three are will have you looking for your own Date Shark by the end of their stories.

Date Shark and Shark Out Of Water are already available, and the still untitled book three will be out sometime in 2015.

Date Shark (FREE)

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Shark Out of Water

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Holiday Writing…or Not Writing: Choosing a Genre

2014-12-08 09.13.19With the holidays approaching, I’ve been seeing loads of posts and promos for Christmas books. I was even a part of one promo for #ChickLit4Xmas, which was lots of fun. I’ve never been particularly into reading Christmas themed stories. I have nothing against them. I’ve simply never been drawn to them.

As I’ve been seeing all the holiday books being promoted, I realized I’ve never even written a single Christmas scene is any of my books. At least I don’t think so. It’s been a while since I’ve reread some of my early books. I’m pretty sure all I have are some birthday parties and a brief mention of Christmas in Shark Out Of Water.

One might start to think I have an aversion to writing holiday scenes. It’s kind of funny actually. I really don’t know why I haven’t written a holiday scene before, but it got me thinking. How do writers choose what genre they’re going to write? Obviously, I can’t speak for all authors, and I didn’t think about this early enough to take a poll, but here’s why I write what I write along with a few tips on how to choose your genre.

I write in several genres and subgenres ranging from YA paranormal/sci-fi/dystopian/urban fantasy, to straight up romance, to new adult (a rather new venture), to some unpublished projects that are just plain YA drama no otherworldly twists and turns at all. So what genre for what story?

Basically, the way I decide how to choose a genre depends on three things.

1: What is the main conflict of the story?

Is it personal or situational? Personal implies a lot more internal struggles while situational may be more event-driven. Figuring out what you want the driving force behind the conflict to be can be a challenge, but this question helps you narrow down whether you’re going to be thinking along the lines of faster paced/question driven writing or deeper emotional trials that won’t need bam-bam-bam events to pull the reader through the story.

2. What type of stumbling blocks will your characters face? 

This question in particular helps me chose the age range of my characters. With YA, parents are an issue, as are friends (more so than in other genres usually), limits on what they can and can’t do, firsts (big decisions, relationships, sex, drugs, alcohol, etc.), and self-discovery.

2014-12-08 09.22.48With New Adult, some of the YA issues still apply, but you add in facing the grownup world with jobs, bills, being on their own, dealing with consequences without parental backup, failure, and so much more. There’s more freedom for the characters in some ways, but a new set of responsibilities can limit them as well.

With fiction for adults, you’re facing day-to-day life with work and family, dealing with past mistakes, reality of the life they’ve chosen/ended up with, wanting more or something different, having to grow up and actually be an adult, serious relationship issues, etc. Asking yourself these question can help point you in the right direction for ages of your characters, which will help you narrow down your genre choices.

3. To paranormal or not to paranormal? 

Maybe this isn’t a question every writer asks, but I do. So far, all of my published YA books have some sort of paranormal/sci-fi/urban fantasy element, but I have other projects, finished and unfinished, that just didn’t work as anything but straight drama. Why? Because the source of their main problems are real problems, not imaginary ones. My adult romance series, Date Shark Series, doesn’t have a single ghost, demon, curse, or magic power anywhere. I wanted to focus on actual relationship problems we’ve all faced at one point or another and I didn’t need anything outside reality to do that.

Figuring out the driving force behind your conflict will help you decide whether or not your story needs something paranormal.

So, these are the questions I ask myself when I start a new project. Sometimes I already have these worked out when the idea hits me, but sometimes I don’t. If you’re uncertain about what direction to take your story, try asking yourself these questions. If you have questions you ask yourself to help you decide, I’d love to hear them! 

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