Creating A Protagonist With Depth: Part Four

If you haven’t read the first three part in the series, you can find Part One HERE, Part Two HERE, and Part Three HERE.


Now let’s discuss how to fill out your character with some backstory, faults, contradictions, and conflict.

iStock_000014115888LargeBackstory

Now that we have the basics of your character and who they are at the beginning and end, it’s time to fill in the middle.

We do that with backstory. Why is your character the way they are?

Remember those personality flaws, fears, and annoying habits you created earlier? Now it’s time to find out where they came from.

The reason behind the flaw is what makes it interesting.

Ex: Lena from “Beautiful Creatures” is afraid of falling in love because of the curse on her family that tells her she’ll turn evil and hurt the people she cares about.
That’s more interesting than just being too shy to ask a guy out.

Like an iceberg, most of the backstory you come up with will never appear on the pages, but it will make your character who they are. 


Depressed young homeless womanFaults

Nobody likes perfect characters. They’re boring.

Every character needs a few faults.

Make a list of 5 faults your character has – let’s go deeper than not being able to make a free throw.

Personality flaws: unreliable, eccentric, immoral, volatile.

Fears: common or complex – Indiana Jones’ fear of snakes got him in trouble a few times.

Weaknesses: unemotional, domineering, perfectionist.


IMG_0454Contradictions

Faults aren’t enough. Your character needs to be contradictory at times.

Why? No real person behaves the way they should all the time.

We do things we know are wrong, go against our own beliefs, and do the opposite of what we intended to do.

This can go the other way too. Does your bad guy had a soft spot?

No one is all good or all evil. Your characters need to have a mix of both.


Man with SwordConflict

Every good character needs plenty of conflict, not just from situations they find themselves in, but internal conflict as well.

Go back to your list of fears…

Which of these fears will your character face and try to conquer in your story?

While trying to overcome the main conflict in the story, your character must also overcome internal conflicts that are holding them back.

If they don’t, their character arc won’t be completed.


Full, rounded out characters can make or break a story. Giving your character a life outside the story will help them come alive on the pages for your readers.

Random Things Because my Brain is Fried

Ever had one of those weeks where your brain feels like this by Friday?

Fried EggIt’s been a busy week and I think my husband, kids, and me are all ready for a nice long weekend. With soccer, packing, hauling things to the dump, dinner, puppies causing trouble, work, cleaning, planning, and all the other fun stuff that goes along with everyday life, there are always those few random things that you think about in the in moments where you’re too tired to really think of anything important. Like…


Why do I like to put my socks on before anything else? 

Why does the puppy like to sleep with his legs straight out from his body, crossed at the middle like he’s been frozen mid crazy run?

How many nicks in the paint on your house can you possibly cause in six and a half years? (You’ll find out the answer when you have to go around retouching paint!) 

Is there a reason we still have the cords and plugs to eighty three pieces of electronics we don’t even own anymore?

We don’t even own a VHS player. What do I do with the box of old tapes in the stairs closet? 

Is there actually a point to Minecraft?

Is Netflix ever going to add another season of Warehouse 13? 

Just how many services am I going to have to call and have moved to the new house? (Answer: too many!)

Why is the antiseptic spray at work so freaking sticky when it gets on the floor?

What was I about to do?


What random thoughts go through your head during the week?

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The Makeover of Libby Sparks a.k.a The Destroyer

Every so often, it’s necessary to step back and take a look at your books and see what is and isn’t working. After perusing book covers of some current young adult novels, I felt like the covers for the Destroyer Trilogy weren’t quite doing it anymore. The symbols used in the original covers are unique (I designed them especially for the books), but they weren’t really giving readers a good idea of what the books were about. So, I decided it was time for a makeover.

I’d love to hear what you all think of the new covers, featuring Libby’s fateful diktats on the cover of book one, Inquest…

Inquest Redesign

…the promise of one of the worst betrayals Libby has had to face…

Secret of Betrayal Redesign

…and the promise of unimaginable chaos.

Darkening Chaos Redesign

If you liked the symbols from the previous covers, have no fear, they’ll still be there on the back cover, slightly redesigned as well…

Inquest Redesign FullWrap

If you’d like to grab a copy with the new covers, you can find them all here…

Inquest

AmazonBarnes & NobleiBooksSmashwordskobo

Secret of Betrayal

AmazonBarnes & NobleiBooksSmashwordskobo

Darkening Chaos

AmazonBarnes & NobleiBooksSmashwordskobo

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Making Pizza and Pleasing Readers

9e9dd-largestackofbooksUsually, I don’t read reviews of my own books. It’s better for my sanity, even though I usually have pretty good reviews. It’s hard not to read a review when a reviewer sends you a direct email to tell you they didn’t like the second book nearly as much as the first and includes a link to their two star review that contains their opinions on the quality of your characters and story. I told her I was sorry she didn’t enjoy the book, but thanked her for taking the time to review and left it at that.

Compared to the 70 5-star reviews on this particular book, this one shouldn’t bug me, but it was kind of bumming me out. Not necessarily because it was a bad review, but because I felt like I had let this reader down. Honestly, it was really getting me down until I started making homemade mini pizzas one night for dinner.

Sounds totally random, right? 

Let me explain. 

Not only were we making mini pizzas because I thought it sounded like fun, but because it’s the only way everyone can actually get what they want on their pizza. I love Hawaiian pizza. My kids think pineapple on pizza is the weirdest thing ever. The kids and my hubby like sausage. I don’t. My daughter has something against pepperoni. My son refuses to eat olives. Solution: Mini Pizzas topped by whoever’s going to eat it.

What does this have to do with writing? 

I know you can’t please every reader. I’ve heard it a million times. I’ve said it to other people at least half as many times. I know this is true.

But I didn’t really know it, know it until I was making pizzas that night and trying to get my kids to put all their toppings on without making a huge mess (failed on the mess part). I looked at our lovely pizzas…

2015-03-09 17.32.04

…and that’s kind of when it hit me. You can’t please everyone and that really is okay. Heck, I can even get four people to agree on pizza toppings! What chance do I have of getting every reader who picks up one of my books to think it’s awesome? Clearly, not going to happen because everyone has different tastes and interests when it comes to books.

This particular reader wanted something different than what I provided. I wrote the best book I could, and a lot of people have really enjoyed it. She didn’t. All I can do is shrug and move on. If I tried to write every book so every person who read it would be perfectly pleased with it, I would lose my mind. I feel like my head might explode just trying to contemplate such an impossible feat.

I’m proud of how this book turned out. I wrote it in a way that I felt was true to the story and characters. Had I written it any other way, I would have disappointed myself, and that would have hurt more than a few not-so-great reviews. Yes, it’s disappointing that this reader didn’t enjoy the story. I hope she finds another series she falls in loves with. We didn’t click on this one. I can’t do anything about that. What I can do is keep writing the kind of books that I feel proud of when I put them out in the world for readers to eat up. That’s really all I can do, and I’m okay with that.


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Things To Remember When at the Library

b98da-boywithbookMy kids love the library, especially recently. I’ve lost track of how many times we’ve been there over the last few months, or how many books we’ve checked out. I have, however, learned a few important lessons!

1. Set a book limit!

Otherwise your kid will check out a billion books, that mix in with your books, and of course your kiddo can’t remember which books they checked out to be able to find them all again.

2. Keep your check out receipt in a safe place!

Our library will email us our receipt, which is awesome, because I lose stuff a lot. When your kid loses all their books in their room, this will be invaluable in hunting them all back down.

3. When it’s time to gather up the library books to return Girl with Book 3them…HIDE THEM!

Or else one of your kids (who shall remain nameless) will grab one out of the stack and take it to school to read during AR time and then forget it at school (of course) on a Friday, which means you can’t return it until Monday.

4. Use the electronic book return!

If your library has an electronic book return, and the receipt gives you a coupon for $5 off your late fees, hoard those babies like they’re made out of gold. With all the books lost in bedrooms, left at school, or just misplaced somewhere else, you’re going to need them!

5. Make friends with your librarians.

Some books are shelved in super weird places, like all the 39 Clues books being shelved by the author (all the books have different authors) so trying to find the next book in the series is like an Easter egg hunt in Yellowstone! Your librarian can save you a lot of time!

The Plus Side of Insomnia

I had some book goals for the beginning of 2015…and then my husband and I decided to sell our house, so everything book related happily got put on hold in the face of the excitement of moving.

We’re all pretty pumped about moving next month. Fingers crossed everything goes smoothly!
giphy

So, back to insomnia.

Moving is stressful. Well, trying to sell your house and keep it clean with two kids and a dog who is constantly eating crap he should and having…shall we call it intestinal troubles?…that’s stressful. My hubby and I had a tough time keeping up with that in addition to all the other craziness of inspections, offers, surveying, and on and on.

You’d think all that would make you fall asleep as soon as you hit the pillow, but not so much. When I get stressed, I don’t sleep well.

What do I do while I’m lying there staring into the darkness?

PLOT

Sounds ominous, right? I’m not talking revenge or mayhem. I’m talking BOOKS.

With all the hoopla of the last few months…

giphy (1)

I haven’t done much writing, or marketing, or anything actually book related. The last week or so, with all the insomnia I’ve been having, I have at least had the chance to work out the kinks I had been stumped with on The Ghost Host.

Ghost Host Title

What’s been bugging me about The Ghost Host?

Trying to capture the decision making skills of a troubled 18-year-old girl on her own for the first time.

She thinks she has things under control. Her friends are with her. A guy she really likes has promised to protect her. She and the ghost who’s stalking her seem to be on decent terms for the moment, and the FBI is actually looking like a good move.

Echo doesn’t actually have anything under control, and I was too the point in the story where things needed to start unraveling but I wasn’t sure how to do that. How exactly does a girl in that situation react when her first boyfriend, first time on her own, first kind of job, and first time trying to handle the ghosts on her own?

I finally figured it out.

She makes a lot of mistakes.

So, now that I’m finally making progress on The Ghost Host again, I can hopefully finish the last quarter of the book a start making plans for a summer release.

So, keep checking back to see what trouble Echo and the ghosts manage to get themselves into.

Unreliable Narrators Are Not My Favorite

gone girlThe unreliable narrator has shown up in some pretty popular books, like Gone Girl, A Clockwork Orange, Lolita, and Fight Club, just to name a few.

What is an unreliable narrator?

It’s basically a narrator whose credibility has been seriously compromised.

This can be obvious to the reader, as it is with Alex in A Clockwork Orange, or not so obvious, like it was with Gone Girl.

Why don’t I like unreliable narrators?

Because it’s hardly ever done well. Gone Girl is one of the exceptions, and I’m a little hazy of Fight Club at the moment because it’s been a while, but I seem to remember thinking that one was done pretty well too.

What makes the difference between an unreliable narrator being 8858f-bookpagesdone well or feeling like a cheap trick?

It all comes down to the ending.

I remember watching a movie with my hubby some years back called Hide and Seek. My husband and I both agreed that this one of the worst attempts at an unreliable narrator that we’d come across. What left us feeling that way? Basically, by the end of the movie, we were both left feeling like we had been blatantly lied to through the whole movie. The MC acted in ways completely contradictory to the truth that would eventually be revealed, and so did his daughter.

The daughter was the biggest disappointment, because it made no sense at all that she would respond to the dad’s questions and act the way she did when she knew the truth the whole time. There wasn’t any logical reason for the way the characters behaved, EXCEPT that the writers were lying to the audience.

sixth senseHow is this different that a good unreliable narrator?

An unreliable narrator believes in his or her reality, or is completely committed to the deception they’re trying to perpetrate. Every word that comes out of their mouth, every action the take, and look and gesture should all be in line with their warped viewpoint or deception.

At the end of the book/movie, you should be able to look back and not point out any instances where things don’t line up.

The Sixth Sense is a good example of this. If you’ve ever watched the “making of” for that movie, you’ll see how the painstakingly went through that entire film to make sure Bruce Willis never talks or touches anyone other than the boy. They create situations where there “seems” to be interaction, such as when he’s sitting in the living room with the boys mom, or goes to meet his wife at the restaurant, BUT you see at the end that none of those scenes were what they seemed.

When writing an unreliable narrator, this is what it takes.

Unreliable narrators are tough to write well. There has to be a well thought out plan. Interactions, thoughts, and dialog has to be scrutinized. It’s a lot of work, but if you can pull it off, you’ll have something people will remember for a long time!

Torino Dreams Excerpt

2015-02-28 11.12.30Over the weekend we got a crazy amount of snow for our area. It was gone two days later, but still. For Northern New Mexico, snow is a big deal, and when there’s a lot of it, the roads can get pretty dicey. Why do I bring this up? Well, it reminded me of the opening chapter of one of my Romance projects that will be out later this year, TORINO DREAMS.

I thought you all might like an excerpt…

TORINO DREAMS: CHAPTER ONE

Torino Dreams Front Cover Final

1: An Offer
Snow in the desert could only lead to one thing, sliding down a sheet of black ice, right at another car. Kate tried everything to get her truck to turn, spin, jump up onto the sidewalk, anything to keep it from hitting the Beamer at the bottom of the hill. Knuckles white as the snow blowing through town, she yanked against the steering wheel in one more desperate attempt to avoid crashing. It lurched wildly to the left and for a split second Kate thought she had done it. Until she realized she had just spun herself in a circle and was still heading straight for the other car. Kate closed her eyes and groaned right before the sound of metal on metal tore through the air.
Pain blossomed across her forehead. The rebound of her head from the steering wheel to the back of the seat hurt almost as bad. Blood ran down her cheek, but her hand refused to move and wipe it away. Her entire body was numb and useless. The most she could do was roll her eyes open, blinking slowly until her vision cleared enough to actually see something. White. That was all Kate could see. It was snowing harder every minute. She closed her eyes and took a deep breath before forcing her fingers to unbuckle the seatbelt. Getting the door to move seemed ten times harder than usual, but she shoved it open and stumbled out of her truck.
The other driver was out of his car already, staring at the crumpled rear end of his BMW 740Li in disbelief. A string of furious words burst out of his mouth at the sight of it. Kate cringed when she saw the bumper dangling off one side, the crushed corner of the trunk, flat tire, and misshapen wheel well. It was such a nice car, too. A top safety pick, even. The driver noticed Kate, finally, and turned his glare on her. Snow had already covered his stylishly cut black hair almost completely. Kate was surprised the heat of his anger hadn’t melted the icy flecks by now.
“Are…are you okay?” Kate asked him shakily.
“What were you doing? Didn’t you see me sitting here?” he demanded, his basso voice loud in the snowy silence. It was the kind of sound that burrowed under your skin and warmed you up no matter the temperature, but his blatant accusation annoyed Kate instantly.
“I slid on the ice! I couldn’t do anything to stop. I tried hitting my brakes, but it didn’t do any good.” What a prick! Kate thought. It wasn’t like she tried to hit him on purpose.
He stared at her like she was a total idiot. “You hit your brakes? Don’t you know anything about driving in snow?”
Was he kidding? “It snows here maybe twice a year and it never sticks and freezes like this. So, no, I don’t know what to do when my truck starts sliding down a hill! I live in the desert. I’m not supposed to have to know how to drive in snow.”
Yelling at him made Kate’s head hurt worse, but she wasn’t about let that jerk treat her like she was stupid. He looked like he was about to say something infuriating again. Kate’s body tensed, expecting another nasty comment from Mr. I Know How to Drive in Snow and You Don’t. The angry tension filling him seemed to soften, very slightly, as he stared at her. Instead of yelling again, he just huffed in irritation and yanked his phone out of his pocket. Kate’s eyes flew wide.
“What are you doing?”
“What do you think I’m doing? I’m calling the police to report this,” he said. His fingers started dialing and Kate panicked. Lunging for his hand nearly pitched her into the snow when she tripped over a piece of the wreckage, but Kate grabbed his hand and stopped him from making the call. He ripped his hands away from her, glaring once again. “What is wrong with you?”
“Please don’t call the cops,” Kate begged him.
Keeping his finger perched to complete the call, his expression changed so slightly it was almost imperceptible. Kate couldn’t tell if he was curious or just a little bit scared. Her breath froze in her chest. Either one would work for her at that point. Whatever it was, it was keeping him from dialing. Too bad it didn’t last.
“I’m calling,” he finally said.
“Please, you can’t call.” Kate was desperate, begging a complete stranger for help. One she had just hit. “I only have two points left on my license. If they give me a ticket I might lose it.” There were other reasons she didn’t want the police involved, but Kate was not about to bring those up.
He smirked. “That’s your problem, not mine.” His finger moved to complete the call.
“I’ll fix your car!” Kate blurted out without thinking.
It was enough to make him pause. The way he scoffed at her offer made Kate want to smack him. “You? You are going to fix my car?”
“Yes. Please, just don’t call the police.”
He laughed outright, and not hitting him got even harder. “Why would I let you fix my car when I could just file a claim and have an actual professional fix my car?”
“I am a professional!” Kate snapped at him. Was he always so irritating?
“A professional what?” he asked, ignoring her attitude completely.
Oh, that was it. Kate’s freezing hands balled into fists. “A professional mechanic,” she said through her teeth.
Maybe he realized that Kate was about to add to his reason to call the police by punching him in the face, because he tamped down his obvious disbelief and mellowed his tone considerably when he spoke. “Even if that’s true, I don’t know you or have any reason to trust you. Why would I risk you taking off without fixing my car rather than just getting it fixed through your insurance?”
“Uh… it’d have to be your insurance. I don’t have any at the moment,” Kate said. Embarrassment settled on her shoulders like a diesel engine.
“Of course,” he said derisively. “I guess the about to lose your license excuse should have prepared me for that. But it doesn’t matter. I’ll just go through my insurance then. I’m still going to want this on a police report.”
“I’ll fix it for free,” Kate said. Her stomach dropped out at the very idea of it, but she had to say it. “If you make a claim on your insurance you’ll have to pay a deductible, and you’ll have to go to court, too, because I’ll definitely fight it if the cops try to give me a ticket. I can’t afford to pay a reckless driving citation right now.”
He lowered his phone, but he didn’t look like he was planning on giving in. “How are you going to fix my car for free if you can’t afford to pay a ticket? Do you have any idea how much parts cost for a BMW?”
“Of course I do. The 7 series is an expensive line to work on. Your Beamer isn’t the first one I’ve ever fixed up.” Not that Kate got the chance to work on luxury cars very often any more, but she definitely remembered back when she did. That used to be the only kind of cars she worked on. “I have some friends that owe me some favors. I’ll get the parts and do the work myself. It will be like this never happened when I finish. I promise.”
“And what am I supposed to do for a car while you’re fixing this one? Are you going to get me a rental?” He just used Kate’s lack of funds as a reason she couldn’t afford to fix his car. He knew good and well she couldn’t pay for a rental for him while she got his car fixed. It might take her a couple of weeks to round everything up. Kate swallowed every last bit of bitter pride and made him an offer.
“I’ll loan you my car until I get yours fixed.”
His face screwed up in disgust. “I am not driving around your beat up old truck. That thing looks like it’s about to fall apart if I so much as look at it.”
Kate glanced back at her twenty year old Dodge pickup. It was one of those massive, solid trucks that could survive anything. In fact, under the snow, you couldn’t even tell it was just in a wreck. There were a few new scratches on the bumper, and it may be a little more lopsided than it was before, but otherwise it looked great. To her, at least. It was rusted and dented and the paint had seen better days. That guy definitely would never drive her monster. But that wasn’t what she meant, anyway.
“No,” Kate said, “I’ll lend you my other car. This is my work truck. I have a Ford Torino GT fastback at home. You can borrow that.”
His eyes lit up at the offer. Kate suddenly felt like she was going to throw up.
“You have a Torino? Is it restored? What year is it?” he asked.
“It’s a ’70, and yes it’s fully restored. It’s gorgeous.” Misery puddled around her. She couldn’t believe she was even offering her baby to him. If anything were to happen to it… she had to force those kinds of thoughts out of her head before her lunch ended up painting the snow.
“Still,” he said, “it’s a safer bet just going through my insurance.”
His phone came back up. Kate flinched at the sight, but what good was arguing really going to do? This guy was standing in the quickly piling snow in a great looking jacket and an even better looking suit. Kate didn’t know much about clothes, but his looked expensive. He didn’t care about her problems. She closed her eyes and sulked as the falling snow slowly soaked through her sweatshirt.
Kate missed the first part of his phone conversation, but her eyes popped back open when he said, “Yeah, I’m going to need my car towed…No you don’t need to contact the police. I just need it towed to my mechanic’s… Yes, thank you.”
He slipped the phone back into his pocket and folded his arms over his chest. Kate’s words tumbled out in a rush. “You’re going to let me fix it?”
“I’ll undoubtedly regret it,” he said with a hint of a smile, “but I’m willing to let you try. I can always file a claim with my insurance later if I need to.”
He said it like he was doing it for her benefit, just to be nice, but she saw the excitement in his eyes when she had offered up her prized possession to him. This wasn’t about being Kate’s knight in shining armor. It was all about the car. Kate’s knees threatened to buckle at the idea of anyone else touching her Torino, but she couldn’t stomach the other option, either. She pasted on a wilted smile.
“How long is this going to take, anyway?” he asked.
“It’ll just depend on how fast I can get the parts. The actual work won’t take that long. Hopefully I can get you taken care of in a couple of weeks,” Kate said, praying he didn’t change his mind because of the length of time.
He just nodded his head and checked his watch. “AAA should be here in ten minutes.”
The mention of time jogged Kate’s memory of why she was rushing to get home in the first place. She pulled her phone out of her pocket and checked the time. 3:05. He would be getting home any minute. Anxious energy wriggled through her body, making her fingers begin to tap on the phone.
“Ten minutes?” Kate asked. Can’t they get here any sooner? We’re right in the middle of town.
“Do you need to be somewhere?”
“I just need to get home soon.” Kate should have been home already.
He frowned and studied Kate for a moment. A snowflake landed on his nose and melted immediately, forcing him to wipe the bead of water away with his gloved hand. “Why do you need to get home?”
“I just do.” It was bad enough she had to give him her Torino. He was not getting anything else from her. The less personal information he knew about Kate, the better. He shrugged and looked away.
The deepening snow around Kate’s feet had soaked through her tennis shoes. Her toes were hovering on the verge of pain from the cold and going completely numb. Kate’s fingers, at least, were tucked inside her sweatshirt, safe from the icy wind and snow. She was freezing, but she did her best not to shiver. Despite the snow dusting his hair, the other driver looked perfectly comfortable leaning against his Beamer as he waited. Next to him, Kate probably looked like a drowned rat in her beat up work jeans and sweatshirt, with no coat, no gloves, not even a beanie to keep her ears from freezing off. Kate shrank in on herself a little more in a rare bout of self-consciousness. Usually, she couldn’t care less what she looked like to other people, but for some reason, it was different in that moment.
Grease-covered hands, ratty jeans with a rag sticking out of her back pocket, that was how she felt comfortable. If her baggy sweatshirts and old baseball caps kept customers from staring at her, all the better. Who was this guy to make her feel like she wasn’t good enough to be standing with him in the middle of a freak blizzard? Even if he was rather attractive, and from the look of his shoulders, well built, that didn’t make him better. He glanced over at Kate just as a stream of melted snow slid down her cheek. She brushed her sweater-covered hand across her face to avoid his gaze and stared at it in surprise when it came away covered in blood. She had completely forgotten that she’d cut her head bashing it into the steering wheel. Great, this was my favorite sweatshirt, Kate thought.
“Are you okay?” he asked, suddenly right next to Kate.
She shoved her hand down and looked up at him. “Yeah, fine. Don’t worry about it.”
“You’re bleeding. Do you need to go to the hospital?” he asked. Actual concern colored his voice. It was almost as surprising as him reaching up and touching Kate’s face.
Heat rushed through her face and she turned away. Her hair fell over her cheek. She was happy to leave it there. “I’m fine,” Kate repeated.
“That cut looks pretty deep.”
Kate stepped away from him. “I’ve had worse.”
His curious expression made Kate bite her tongue. No personal stuff, she reminded herself. I just want to fix this guy’s car and forget this day ever happened, Kate thought. The dull flash of yellow lights approaching rescued her from having to say anything else. Kate pointed down the road, and said, “Looks like AAA’s here.”
He looked behind him and nodded approvingly. “That was fast. Looks like you’ll get home soon, after all.”
“Great.” Let’s get the Beamer loaded up and get out of the snow, Kate thought. Her fingers tapped anxiously against her folded arms as she watched the tow truck attempt to position itself.
“I’m Sam Dalton, by the way,” he said.
“Kate Laramie.”
He reached out for her hand and she shook it quickly, tucking her cold fingers back under her arm right after. For a moment he looked like he was going to say something else, but the tow truck driver called him over. He walked away and Kate climbed back into her truck ready to lead the way. She counted the minutes it took to load Sam’s Beamer onto the truck’s bed. Seventeen. Both of her feet and every one of her fingers were tapping anxiously by the time the driver waved for her to pull ahead and show him where to go. Kate wanted to speed away, but given what just happened, and the thickening snow, she forced herself to drive slowly. When she finally pulled up to her house, she dashed out of her truck and ran for her front door.
The bundled up ball of laughter that was throwing snowballs in the front yard saw her before she could get to him. He turned to greet her with a grin. Kate scooped him into her arms and hugged him fiercely. “I’m so sorry I was late getting home, Lincoln. What are you doing outside? Why didn’t you use your key and go inside to get warm after you got of the school bus?”
“I was having fun out here,” Lincoln’s happy little voice answered.
“Lincoln, you can’t be out here alone. You know that.”
Worry wrinkled his little face as he considered that. “Sorry, Kate.”
“It’s okay, buddy. Just remember for next time. Go inside as soon as you get home.”
He nodded. All traces of his childish glee disappeared when he pulled back and saw the gash on the side of Kate’s head. She couldn’t stop his eyes from traveling down to the tow truck that pulled up behind her. The Beamer was already being unloaded and Sam was walking up the drive to them. Lincoln took it all in and looked back at Kate with all the seriousness a five-year-old could muster. “Another accident, Kate?”
“I know, buddy, I know. Go inside and get warmed up. I’ll be in in a minute, okay?”
He nodded and let himself into the house, forgetting to take his boots off, as usual. Kate couldn’t get herself to be upset with him, though. Not today. She stood back up feeling much better than she did a minute earlier, now that she knew Lincoln was safely inside. Kate turned around to find Sam standing right behind her.
“That your son?” he asked, motioning toward the door Lincoln just went through.
“No.”
He looked like he’s expecting more, but he wasn’t going to get it. Kate didn’t discuss Lincoln with anyone.

Once we get moved into our new house I’ll start working on details for the release of Torino Dreams, so check back later for updates!

Creating a Protagonist with Depth: Part Three

If you haven’t read the first two part in the series, you can find Part One HERE and Part Two HERE.

Now, on to today’s discussion!

Character Arc

What is a character arc?

It’s your character’s journey from who they are at the beginning of the book to who they become by the end.

(Hint: these should be different!)

  • This is basically the main question your character arc needs to fulfill throughout the course of a story. Developing a strong character arc will help you create a character with depth.

There are 3 stages to a character arc.

STAGE ONE

Arc Stage 1

The Catalyst

You need something that will force your character onto the path that will change them from who they are to who you want them to become.

This can be a physical and internal stumbling blocks.

The catalyst is a problem – something your character needs to overcome.

For example…

Tris finding out she’s Divergent.

Katniss volunteering for the Hunger Games to save Rue.

The journey to overcome this problem is what will test them and force them to grow personally and emotionally.

STAGE TWO

Arc Stage 2

During the second stage, your character attempts to resolve the problem from the first stage.
Of course, things can’t go to easily for your character.
In order to make sure your character keeps growing, they need to continue to face new obstacles.
Translation: Things keep getting worse.

Why?
As your character faces new problems, they learn new skills, become more capable, more like the person they need to be.

STAGE THREE

Arc Stage 3

This is the resolution stage, where your story reaches its climax and your character discovers who they are becoming.
This is NOT always the resolution of your characters’ completed arc
If your are writing a series, this may be the first realization for the character of who they want to be or will become.

Your full character arc may stretch over a series of books, but within each book you should have the three stages of the character arc, with the character reaching an important realization at the end of each book.

Making sure your character changes and grows throughout your story will help create a more believable and relatable character.